I’m entering the memoir category of Pacific Northwest Writers Association Literary Contest this year. A new addition to the contest is that each submission must be accompanied by a one page (double-spaced) synopsis. I haven’t written many of those so I got a couple books from the library to help me.
The other dilemma that I’m still trying to work out is that a synopsis usually talks about it’s main character, which in my case is me. But for this contest, the authors name cannot appear anywhere, so I’m either going to have to change from third to first person, or change my main character’s name for this submission. Any suggestions for my new name? Maybe I should just use my stripper name, Streak Illinois? I’m sure I can find something better, but right now it feels like an unnecessary distraction from the real goal: to get this thing polished and submitted by Feb. 18.
Back to the synopsis. The suggestions below are straight from Ch. 18 The Novel Synopsis by Rebecca Vinyard in The Writer’s Guide to Queries, Pitches & Proposals (Moira Allen Ed.). Somehow, my synopsis is supposed to contain each of the following thirteen elements and cannot exceed one page in length, double-spaced! So the trick is to jam all this information together in such a way that it doesn’t seem crammed, choppy, or rushed. Simple, right? Unfortunately, this book only gives examples of synopses that are several pages long, single-spaced. But I found some shorter examples here compiled by Charlotte Dillon.
1. Set up
Premise, location, time frame, main characters backgrounds.
Explain everything, if your character is angry, explain why.
Describe your character, not their looks, but their background, personality, occupation. Only primary characters in synopsis.
4. Plot points
The major decision faced by your character or something unexpected and outside the experience of the character. Stick with the main theme, mention all major plot points. Leave out subplots.
The obstacles the main characters must overcome in order to achieve their goals.
Include it whenever possible to keep it from being a dull summary.
In the story, this is very important. But in a synopsis, only include it if there are significant consequences.
A few lines of significant dialogue at the most, if any.
9. Black Moment
A moment of reckoning, when it appears that your hero will never reach their goals and all is lost.
The moment when your hero succeeds or the bad guy fails. Your character reaches their goal.
In a synopsis, don’t be coy, give away the ending. Tie up loose ends.
Use present tense, avoid passive voice, and focus on flow and forward motion.
Double spaced is usually preferred but check Writers Guidelines for each submission. For general synopses, include contact information and word count on the upper left corner of the first page. Subsequent pages should include title, your last name, and page number in your header. But beware, in this literary contest, no author names should appear anywhere to reduce bias.
I’ll post my polished synopsis on this blog in a week or two for your generous feedback.